Movie Review: The Martian (2015)

by Tony Dayoub


News this week that liquid water has been discovered on Mars and that actor Matt Damon has repeatedly lodged his foot in his mouth (discussing whether gay actors should come out of the closet or not) almost begs for some kind of bad joke about outfitting a spacecraft and exiling the actor to the red planet ASAP. At worst, the news kinda overshadows promotional efforts for Damon's latest, The Martian, based on the novel by Andy Weir. At best, the two soundbites—one overwhelmingly positive, the other decidedly not—cancel each other out and give way to more discussion about this unlikely crowd-pleaser. I'm hoping for the latter, because The Martian fully deserves to be appreciated as a front-runner among the top films of the year.

NYFF51 Review: 12 Years a Slave (2013)

by Tony Dayoub

What makes 12 Years a Slave so incisive isn't that it is a particularly apt depiction of slavery. It's that director Steve McQueen makes the viewer feel like it is. In his previous film Shame, McQueen got us to identify with a lascivious sex addict. In 12 Years, his third film (and his third entry in the New York Film Festival), McQueen does something quite ingenious by choosing to follow the true story of Solomon Northup (Chiwetel Ejiofor). In electing to tell of the ordeal of an educated, free African American from the North, kidnapped and sold into slavery, he makes Northup's fear and outrage our own.

DVD Review: Redbelt - Mamet's Mixed Martial Arts Movie is a Magnificent Mashup

by Tony Dayoub



Redbelt is writer-director David Mamet's exciting movie set in the burgeoning world of mixed martial arts. The movie's diverse cast is brought together from the worlds of sports, film, and Mamet's usual ensemble. This riveting film is a mashup of two classic genres, the samurai movie, and the fight movie. Using some of the traditional elements of these genres, and infusing the film with his own predilection for "now-you-see-it, now-you don't" trickery, Mamet (Homicide, State and Main) gives us a fresh take on what could have easily been a cliche-ridden story.